Tools like Primatte Studio and Mocha Pro are designed to save you time and make some of these visual-effect complexities simpler and more efficient.įor more, you can find hundreds of useful visual-effects videos in the Boris FX training section at posted on 17 September 2021. Mastering the basics of chroma keying, motion tracking, and masking will give you limitless ability to transform your footage or replace backgrounds to your creative heart’s content. While this might seem like a lot of steps, it’s all about the details. You can feather this shape if you like, and this will composite the sun and flare right back into your shot. We’re going to link the sun shape to the sky replacement track.Įxport your Mocha roto mask as “Mocha Shape Data for AE.”īack in AE, select Edit > Paste Mocha Mask. Next, draw a shape around the sun and flare. Duplicate the insert sky plate, then apply Mocha Pro, but turn off your insert render. Now you can composite the sun and flare back into the shot. Inside the plug-in, select “Insert Cutout,” then check the render checkbox. This is actually just a quick way to push the new sky replacement layer further into the distance, for a more natural motion in relation to the foreground. We’re going to apply a depth offset, and that changes the scale of your object, so we’re going to increase the scale. Next, go into Mocha’s Insert Module and apply a 3D offset to this track. The “Align Surface” button will scale the surface tool to the edges of your shot. If I select my insert layer, we now see the new sky will follow the tracked motion. Now when you relaunch Mocha Pro, you can click on your layer and then click your “Insert Clip” dropdown menu. In the Module Renders section, select the sky JPEG layer as your Insert Layer. You want to track an area that is never obscured by the foreground. I’ll track “translation, scale and rotation” only. Mocha excels at tracking difficult areas like this out-of-focus tree in the background. To launch it, select a layer and go to Animation > Track in Mocha AE).
#After effects mocha pro free
Note: if you don’t have Mocha Pro, a light version of Mocha is included free with Adobe After Effects Creative Cloud. You will need to launch Mocha Pro using the large Mocha button. Navigate to Mocha Pro in your Effects Panel and drag and drop that onto your sky background layer. You’ll also want to change your BG color to get rid of some of that darkness that we had.
I’ll use a Mocha roto-mask to keep this detail. I’m not going to worry too much about the softer detail toward the bottom of the shot or the sunlight, because I actually want to keep this lens flare in the middle of the sky. In just a few clicks, you’ll have a pretty robust key. You can add an edge correction and a little softness to the edge of your matte by using “hybrid enable.” Use the Final Matte dropdown view to make sure that your composite matte looks good. Use “clean foreground” to clean up the edge of the horse so that you don’t lose your light wrapping. You can also use clean backgrounds for pulling more color into your key.Įven though we have uneven color values in the sky, you can still pull a decent key from the color range. You can either use a point to select or you can use a rectangle to grab a larger area. What I like about Primatte Studio is that it’s very visual. Now we’ll activate our heads-up display by clicking the “HUD” button.
#After effects mocha pro trial
If you don’t have a license for Boris Continuum plug-ins, feel free to try a different keyer or download a trial here. The first thing to do is name this “original plate,” then duplicate this plate to pull a key.Īpply “Primatte Studio” from the effects menu and drag and drop it right onto your timeline. We’ll also use a “3D offset” technique to push our replacement sky back into Z space. Slow Motion, Girl in Meadow Feeding and Petting Horse by Airstockĭon’t worry about this sky being a static file because we’re going to use planar motion tracking to match the background and follow the camera movement.
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